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- #UN DRINK NO INFERNO TORRENT MOVIE#
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The principal piece of the Cross came from a tree formerly growing in the Valley of Josaphat, near the torrent of Cedron, and which, having fallen across the stream, had been used as a sort of bridge. The insurgents were retreating to La Chapelle and Belleville in disorder the soldiers of the line rushed like a torrent into the Avenue de Clichy, leaving a tricolour flag hoisted upon the dismantled barricade. Diamonds Are Forever is yet another average installment in the franchise.The boat caught in these rapids stands but a poor chance, as at the end of the torrent the water dashes down a cataract over 150 feet deep. We finally get a good back and forth between Blofeld and Bond, and Connery is back (at least for one film). So other than the fact that this film has the dumbest cops in film history, weird duo characters, and it's tonally inconsistent, it is a decently entertaining film. By today's standards, these assumed gay characters would be seen as portrayed very offensively, but I guess that was just the time the film was released. The action sequences are improved since the unorthidox editing of On Her Majesty's Secret Service without the strange settings of Thunderball and You Only Live Twice.Įven the sidekick villains in the film are borderline un-watchable. The problem is that the tone of the rest of the film is so goofy and dissimilar to what Bond and Blofeld are in. With that being said, he was one of the better Blofelds we have had and made for a decent foe. Apparently this reflects the chameleon like nature of Blofeld in the books, but it fails to create a sense of rhythm and consistency to the franchise. The tongue and cheek tone that Goldfinger sort of inspired had already grown tiresome and over the top by Diamonds Are Forever.Ĭonnery is back, which is obviously a step up from Lazenby, but Blofeld once again changed actors.
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Since Goldfinger, it has been average Bond movie after average Bond movie. It's funny, I read reviews of Goldfinger that said that film changed the tone and course of Bond films for a long time, and I think that writer was right. Country-Western star Jimmy Dean lightens things up as a thinly veiled take on reclusive billionaire Hughes but the tone already proves lighter than a Go Go Bird feather. She delivers lines as sing-songy and unconvincing as a grade school play. He looks remarkably less viral and vested than four years earlier in You Only Live Twice. He surely morphed into an on screen older sex symbol in his '60s (The Untouchables, Indiana Jones and the Last Crusade, Entrapment), but consider his awkward years.


In this classic spy caper, a diamond smuggling investigation leads James Bond (Connery) to Las Vegas, where he uncovers an extortion plot headed by his nemesis, Ernst Stavro Blofeld.Ī then-historic paycheck brings Connery him back into the fray and his charisma carries some of the stale goings-on. Some decent stunts and witty repartee help to gloss over what's become Double-0 formula, but most of Diamonds - from the unthreatening skeevy henchmen to a Howard Hughes-esqe plotline - ends up to be a veritable fugazi. Truly, between the spa mud bath murder, moon buggy chase, horrible acting by one of the worst Bond girls ever, and the singer of "Big Bad John" adding support, this chapter amounts to being more of a comedy than Peter Sellers' Casino Royale did four years earlier. Women get flung at him with no wooing necessary and the heavies look about as formidable as Maxwell Smart. And speaking of 'age,' the leading man starts to show it-if not completely in looks, than interest. Nothing about James Bond should come as a standard issue experience, but this go-round simply starts to become imitative of the glory days.
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Moore gets shouldered with this association, but - make no mistake about it - Connery kick-started it but good with this, a largely forgettable romp where the series starts to show its age. Essentially, Diamonds Are Forever plays out as a swanky harbinger of the campy Roger Moore escapades that would follow. A rough among the Diamonds, Sean Connery's occasionally entertaining return to the role that made him famous single handedly pilots the 007 series into the over-the-top, almost comedic, spoof-worthy skies that would dominate the '70s.
